Uptown Girls

For a while, I was absolutely crazy about Uptown Girls. It was one of those movies that I jumped at the chance to watch because the trailer promised endless scenes of carefree, hippie, flower-child, Brittany Murphy goodness - and in a sense, it did provide all that (plus as super dispiriting "poor little rich girl" storyline). 

To this day, Uptown Girls fills me with such wardrobe envy. I literally want to wear EVERYTHING that EVERY SINGLE CHARACTER wore in this movie - yep, thats right, I even want to wear Dakota Fanning's school uniform (despite the fact that she is about half my age here). 

I would most definitely credit the film to helping along my clothes obsession during its early stages of development. I was quite taken with the concept of being "girl who never grew up." Brittany Murphy's character Molly was everything I wanted and still hope to be (well maybe, minus a few things..). 

Molly was cool, hip and absolutely an individual. I loved how carefree and bubbly she was and everything found at the core of her personality was also stitched into the fibers of her highly covetable "I'm perpetually stuck in age 9" wardrobe.    

But seriously, can we just take a minute to lust over a few things:

#1) Brittany Murphy's pet PIGGGG!!! Oh god, my heart is melting. Please, someone!! 

- Being that I'm absolutely in love with pigs, the fact that the movie's protagonist Molly Gunn had a pet pig, instantly won me over. It's not like she wasn't cool enough already, but this just did me in! So not only do I have sever wardrobe envy, but in some aspects, life envy.

#2) TUTUS 

- Need I say anymore? I'm sure you'll agree, that girls (well, at least me, yes I am) clearly have a natural disposition toward tulle - in any shape, any form, any color. I took intro to ballet in high school and yawned my way through it all, but Dakota Fanning's unitard is enough to make me reconsider. 

#3) Birthday Suit, Ya'll

- HELLOO Sparkles! Molly's birthday dress is perfection! Even when I'm turning 80 (well maybe a more conservative version then), that is what I want to be wearing to blow out my candles. Heck, I want to be wearing it right now. Oh and who could forget those glitter star shoes too!

#4) Ingrid 

- Lady, you're just that - a true lady - except for maybe when you become a bitch. But honestly, if I weren't such a mess, Ingrid is the type of got-it-together lady I wanna be. 

#5) Huey

- So, hip. So, hip. I mean, just look at those pajamas. C'mmon. 

Now let's get down to business, time for some serious lusting:

In my opinion, the crown jewel of Molly's entire clothes collection was this AMAZINGGG embroidered denim overall jumper. Little hearts, literally light up on the surface of my corneas like a cheap LED display every time I catch a glimpse of this prize. It is most definitely, my DREAM outfit and holds the top position  on my mental list of diy/must find clothing. I had to add a little shot of B-Murphs sitting at Dakota Fanning's tea table, because I'm quite obsessed with this dress and everything that surrounds it. Even the scones.

I know I really haven't made any obvious efforts to disguise my blatant favoritism when it comes to the clothes in this movie. But rest assured, most every character's wardrobe in this movie is to-die-for. 

• Let me just say, it kills me how Dakota Fanning wears her uniform is like a mini suit for non-adults (this is meant in a good way. Like, "oh god, I love it so much it kills me" kinda way). There's just so much about this that makes me crazy! Strange as it sounds, I've always been really into the whole "private school uniform" look, and ironically enough I went to public school for my entire pre-university academic life. Going to the uniform shop, for me - while a drag for my Catholic School attending cousins - was like introducing a child to sugar for the first time. The advent of Gossip Girl did much in the way of progressing this pseudo-addiction I had to uniforms. Plus, I mean, just look at Dakota Fanning's totally 90s style tiny sunglasses. 
• A close second on my scale of favorite dresses in this movie is Molly Gunn's white dress with tiny girls? dolls? on it? Oh idk, I just remember: a) seeing her in that dress & losing my breath, b) feeling her pain in that scene - her friend Ingrid forced her to sell all her cool stuff *anguished face*, and c) thinking, oh thank god you're wearing that dress gurl, cuz then you don't have to sell it!!

Embarrassingly enough Uptown Girls  was the movie that really got me started obsessing over clothes. I remember picking up the habit of "designing" outfits by drawing little models in clothes based on Molly Gunn's closet showcase.  To this day, I'm still drawing stupid clothes. Oh well, I'm stuck with this condition. This isn't my favorite movie, in terms of story but I definitely recommend it for the clothes!

Dawoud Bey

Back when I was struggling to justify my photographic hobby, I used to research photographers to study their work. Since then, I've let taking photos fall to the wayside. It happened in one of those sad, round-about "I'm a non-conformist" sort of ways - which is also gross because I spend most of my free time telling myself I'm not going to listen to outside opinions on what's cool.

It was around this time that I discovered Dawoud Bey. One of the things I struggled most with in photography was taking pictures of people. I liked to, and still do, use my camera as a crutch to continue doing what I did best - avoiding others. I always admired photographs of people that were so candid, honest and raw but the thing was that I was not bold enough to get these confessions myself. My shots of people would always be from some awkward angle off in the shadows - never with anyone looking directly into my lens.

Most impressive, was Bey's use of Polaroids. Bey would photograph his subject(s) multiple times with the Polaroid camera to capture every angle and would end up with slightly distorted proportions. The crazy thing to me was how much this process was a modern-day, photographic adaption of Cézanne (Particularly his work "Madame Cézanne in a Red Armchair," 1877 which is currently housed in Boston's Museum of Fine Art)! In this painting, like Bey's Polaroid portraits, Cézanne focuses with equal attention on each individual piece of the painting. This process creates a strange flatness, strange proportions, and unaccounted for spaces. Just something to keep in mind next time I pick up my camera and experiment.